Monday, December 20, 2004

Schumacherinis and Montoyeshwaris

In Bangalore, you can never be certain about a few things. For example, sambar. Just because someone tells you it is sambar, it neednt be that. But then, there are few things which you can be very sure about. Like for example, when a car harasses you no end by flouting traffic rules, you can be sure it is NOT a guy who is driving it.

Double Road, jam packed, bikes touching autos touching cars touching bigger cars touching vans touching buses, and am not even close to doing justice to the real traffic scenario. Amidst all this, the cops decided to raise the bar and test our sanity. There is this narrow, uphill bridge which connects to another traffic madness. Climbing it in itself is okay. But since life was lacking spice, our cops install removable road dividers in it. Now these road dividers can be tricky. I am in two minds looking at the lanes, lane 1 has this tired carrier-auto in its lazy walk climbing four feet up and three feet down and a tankload of black smoke, lane 2 has old uncle who doesnt want his kinetic to hurt itself, so goes at an unearthly pace. Since i choose uncle over smokey-auto , i pick lane 2 and am moving up. As i am slowly overtaking uncle, B-A-M, in comes a Hyundai Santro like its possessed.

Turns out that our cops wanted one final surprise, and left exactly that amount of gap between two dividers, just to give people that false hope of confidence that they can sneak in through it. Figures that our santro got stuck behind smokey-auto, decided to play daredevil, looked to the left, found a grey haired thaatha (grandoldman) and someone with "mow me down" written on his jacket and took a mad swerve at both of us. Grey-haired uncle was the first line of defense. I have heard such a screeching of wheels in the climax of the 70s jaishankar movies, but this was the first time i heard it live and so close. From the looks of Uncle's face, you can be sure that he might have expected even godzilla to come out from nowhere, but definitely not a maroon colored metal monster charging in. In spite of all the action happening so close to him, GHU knew that he shouldnt go towards the car, which was good for him, but at the same time decided to move in the other direction, which was not good for, errrm, let us say the other parties involved in this three-way dog-fight. Now, i can hold my line like moronic michael schumacher does, but considering the given circumstances, that would be "tata, bye bye, cheerio" for GHU. I can move to the other side, but somehow this concrete wall doesnt seem to budge like it does in the movies. So as my rear-view mirrors start scratching with the concrete, GHU drives his kinetic right into my bike and while both of us end up with scratches and stop our bikes, maroon santro picks up speed and flies past.

Hot in the head, i chase it down in a hope of stopping right in front of it, catch up with the car and look in, voila. The driver, early 30s maybe, was busy adjusting her hairline in the rearview mirror. Now i looked at the odds of what would happen if i stop the car and pick up a fight. Let me see, we will first have a gang of jobless b*ms walking in to arbitrate, and looking at the drivers of both vehicles, it was quite obvious with whom they would side. On one hand, we have someone wearing a dirty jacket, dirtier pair of jeans and an even dirtier pair of shoes, talking in english and with "I cannot speak kannada for nuts" written in his face. On the other, we have an early 30-ish, santro driving, lip-stick laden, shade wearing, high-heel totting dame who is a mobile perfume factory on the loose. The odds were straight forward. I would get lynched even if i had been run over by the car in front of everyone in public view. She had won it before even the fight started.

Now, regardless of what people say or do or portray, the house is a place which men have lost their control on. Yes, the ration card reads "Head of the family", but thats as far as any man can ever get. There is only one voice at home, a really loud one, and it is always right. Even when it is hopelessly wrong. So, when the man leaves home, thinking that the road is his and he need not feel threatened or oppressed or censured or knocked about, B-A-M, we see yuppie women driving the wheels out of their cars with an evil smile. The bigger the car, bigger the trouble. While maruthis and santros cause danger to limb, we have women driving scorpios and CRVs which can only mean an advanced appointment with your great grand fathers. Now that men have unconditionally surrendered the house to all the women, cant they just come down a bit and leave the road for us ?? We promise to drive around the corners and have our own little bit of fun without disturbing the hierarchy. And that too, we dont want the road all the time, but atleast during peak hours. Somehow we all strongly believe it is imperative to reach office in one piece.

In another galaxy, far far away, men would still have a chance at calling something their own. There is still hope.


Read on ... (at your own peril, obviously) ...

Tuesday, December 14, 2004

Thirteen ...

.. Reasons why you should see Ocean's Twelve.

- Catherine Zeta Jones: Gee, that hairdo.

- Star Cast: Let me count. We have 3 Oscar Winners, 2 Oscar Nominees, 2 from oscar winning families and an oscar winning director who got nominated twice in the same year. And this is on first count. Casting Coup is the word we are looking for.

- Brag Value: A complex plot, the sooner one understands it, the more one gets to brag. Sheesh, i reckon its not __that__ easy to get the plot after watching the movie just once (see, i told you .. "brag value" ;-) ).

- Camera: Although at times you are scratching your head wondering if you are really watching "Blair Witch Project", what with the now-popular "shaky-cam" feel, it fits with the theme of the movie (a haphazard heist, instead of the meticulously planned one in the first) and gels well (Although i still think it would've been better if it had the clean-and-cool look of the first one).

- Soderbergh: Soderbergh has this unique touch to each of his movies. He fiddles a bit with the color settings and for some artistic reason, which is my beyond my understanding, it strikes a chord with the feel of the movie. With innovative camera angles, brilliant long shots and that experimentation with colors, Soderbergh scores again. I personally thank him for choosing Ocean's Eleven to do a sequel and not Solaris. That would have been tragic.

- Catherine Zeta Jones: Wow, that accent.

- Cameos: Struck us when we were least expecting it. Mind you, these are not just cameos where some celebrity walks in, and before you shout "hey, its him", walks out. Watch out for how innovatively it has been slotted in the movie.

- BG: Just like in Ocean's Eleven, the music scores in this one too. That 70-sh rock feel can do only good to any heist movie. Particularly the one with the "laser lights" sequence. Right up there.

- The Pull: The Heist isnt as thoughtful or well-planned or colorful and humourous as it was in the first. In fact, on first look, it leaves you disappointed wondering "is that all". But as you sit back at home putting things in place, it gets better when you realise it was __not__ meant to be thoughtful and colorful and what not. Nevertheless, once the missing pieces in the plot fall into place, it probably is as humorous and well-thought as the first one.

- Catherine Zeta Jones: Drool, for no particular reason.

- Brad Pitt: Soderbergh better call the next one "Rusty's Eleven". Brad Pitt wipes out the lot with his sheer presence and his personification of the devil-may-care rusty. If there is someone who stands a chance against him, its Matt Damon with his coming-of-age quips. And no, all this "Go Brad" bit is not for the women who got offended with the earlier "Richard Gere Sucks" remark.

- Humor: The in-joke on Oceans Eleven, Kashmir, A dig at George Clooney, The Pull itself and the opening prologue. Bwahahaha.

- Catherine Zeta Jones: If you didnt need a reason last time, am sure you dont need one now. Curse that darned michael douglas and keep drooling.


Read on ... (at your own peril, obviously) ...

Friday, December 10, 2004

Grounded

Grandmothers ooze of wisdom. It seems to be why they were created in the first place, and this week one of my grandmothers just did what she was due. She is not technically my grandmother, in fact she is more of an aunt, but somehow she has this grandmotherly halo around her. Her name is being withheld for the simple reason that she is quite well-versed in arms and ammunitions. Now, i was talking to grandma about something and suddenly the topic turned to "Friends" (Oh yeah, this grandma watches "Friends" .. Even have a have a nagging suspicion that she watches "Sex and The City") and started off with the characters. As time went on, the conversation, for lack of a better subject, just kept going deeper and deeper into the show with things like why ross's first son was called ben, and who exactly is joey's brother in law and stuff like that.

Suddenly grandma straightened up and went silent as if grandpa had got her by the throat for taling with unknown strangers. And then she asked "what is the difference between folks watching 'kahani ghar ghar ki' and 'kahin kisi roz' and us ??". In the silence of cyber-space, the echo was resonating. The hi-flier in me got shot right through the head and was grounded, grounded for life, because frankly, there seems to be no difference.

When folks at home watch 'metti oli' (itz to complicated to translate, i swear), I ask them if 'gopi' and 'viji' are re-conciled with a sly smile that translates into english as "christ, i cant believe you guys are watching this". Whenver a gang of friends is bored, the topic eventually turns to how folks are so uncool at home watching 'chiththee' ('aunt'), how funny it is that they spend hours together wondering if 'annamalai' (just a proper noun, so chill) and her brother would ever get reconciled and before the wink of an eyelid immediately delves into frasier and seinfeld. So how different is a radio psychiatrist's life experiences different from a father with five daughters ?? Hmm, someone from the crowd says "Seinfeld is quality entertainment". Oh yeah, quality entertainment allright. But then, one of the most misused words in entertainment is quality. My grandmother (this one is my real grandmother, doesnt specialise in arms and ammunitions, but in chinna vengaya sambar (stew) and pagakka poriyal (bitter gourd fry)) thinks the lives of five girls battling out in contemporary settings ('edhirneechal'(to swim against the current)) is quality entertainment. Mom seems to think quality is anything benchmarked by a balachander serial. Managers think that quality is something that is just one step above what anyone can humanly achieve. (now, for "anonymous" management graduates, let me add "maybe not all managers" .. fine :-) ??).

In essence, quality is this really undefinable guy in one hand and possibly the only-individually-definable guy on other. Finally, that leaves most of us with one choice, if we still want to laugh at all those "Aadugiraan Kannan" (Lord Krishna Dances) fans, stop discussing about friends and seinfeld and curb your enthusiasm and what not coz we are as bad, if not worse. If we cant live without sarah jessica parker and debra messing, let the old folks have fun watching what they please, without our smart-aleck jokes. If this is extremely difficult, then take the easier way out, buy a dictionary without the word "hypocrisy" in it. Peace.


Read on ... (at your own peril, obviously) ...